{"created":"2023-06-20T15:09:09.791274+00:00","id":5084,"links":{},"metadata":{"_buckets":{"deposit":"13f38d3a-fa57-4f1f-bf50-93e82a313b0a"},"_deposit":{"created_by":3,"id":"5084","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"5084"},"status":"published"},"_oai":{"id":"oai:ynu.repo.nii.ac.jp:00005084","sets":["500:504:505:517"]},"author_link":["23267","23269","23268"],"item_6_alternative_title_21":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Representation of women in the period of Louis XIV : Transition of women’s image through “Médée” in Opera"}]},"item_6_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2013-03-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"12","bibliographicPageEnd":"41","bibliographicPageStart":"37","bibliographic_titles":[{"bibliographic_title":"技術マネジメント研究"}]}]},"item_6_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"16世紀末フィレンツェで生まれ、ギリシャ悲劇の再現をめざしたオペラは、17世紀にヨーロッパ中に広まり、フランスではルイ14世の保護のもと、フランス独自のオペラが隆盛を極めた。ルイ14世治下のフランスでは、ギリシャ神話の登場人物メデを題材にしたオペラが4 本作られている。メデは自分を捨てた夫に憤激し、恋敵とその父、および自らの子どもを殺して復讐した人物である。本論文は、絶対王政、男性優位の時代にありながら、王や夫に反逆するメデの物語が何度も舞台化されたことに着目し、当時のフランス社会の状況を検証しつつ、作品研究の方法を用いて4本のオペラ台本を分析し、時代による女性表象の変遷を考察する。　オペラは常に王侯貴族や裕福な市民階級の傍らにあり、恋愛劇を通じて支配層のイデオロギーや女性観を表してきた。ヨーロッパ社会は古典ギリシャ時代から男性優位であったが、ルネサンス以降の近代に女性の地位はよりいっそう低下した。ルネサンス期に誕生した新興芸術であるオペラはその影響を受け、当時の女性観を反映した物語を作ったと考えられる。古代から文学や音楽、版画や絵画の題材に取り上げられてきたメデは、男性的秩序を脅かすものとしてヨーロッパが忌避してきた「女性的なるもの」を体現して繰り返し表現され、女性に対するヨーロッパの主要な言説であるミソジニーとともに、人々の心性の底流に潜む女性に対する恐怖、畏怖を表している。","subitem_description_type":"Abstract"},{"subitem_description":"Operas first appeared at the end of the 16th century in Florence and these Operas reproduced Greek Tragedies. In the 17th century, operas became popular throughout Europe. In France, operas flourished under the patronage of Louis XIV. Four operas were produced at the time based on the story of Medea, a woman in Greek mythology, who got furiously angry with her husband who had abandoned her and took revenge by killing her rival in love, the rival’s father and her own children. The present study investigated changes in the female image in different periods, by analyzing the scripts of these four operas and the condition of the French society of the time. Why was the opera, Medea, staged repeatedly in spite of the absolute monarchy and the male-dominated society of the time? Usually, royalty and titled nobility, as well as the rich bourgeoisies went to the opera. Operas expressed the ideology and views of women of the ruling class through romantic dramas. European society had been male-dominated since the ancient Greek Era and the status of women in the society further declined after the Renaissance. Operas were a new art form that appeared in the Renaissance period and they were affected by the currents of the times. The stories supposedly reflected views of women in those days. Medea, which had been often chosen as a theme in literature, music, prints and pictures, expressed femininity that was abominated and avoided in Europe, because it threatened the male-dominated order. The theme of Medea expressed fear and awe of women that existed at the bottom of people’s minds, such as Misogyny, which has been a major idea on women in Europe.","subitem_description_type":"Abstract"}]},"item_6_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"カワサキ(ウメノ), リンコ"}]}]},"item_6_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{}],"names":[{"name":"Kawasaki(Umeno), Rinko"}]}]},"item_6_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"横浜国立大学技術マネジメント研究学会"}]},"item_6_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11629233","subitem_source_identifier_type":"NCID"}]},"item_6_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13473042","subitem_source_identifier_type":"ISSN"}]},"item_6_text_4":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_value":"横浜国立大学大学院　環境情報学府　博士課程後期（2012 年9月終了)"}]},"item_6_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"川﨑(梅野), りんこ"}],"nameIdentifiers":[{"nameIdentifier":"23267","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-09-20"}],"displaytype":"detail","filename":"manage12-04.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"manage12-04.pdf","url":"https://ynu.repo.nii.ac.jp/record/5084/files/manage12-04.pdf"},"version_id":"1f95eeae-d921-4ed6-936f-773076ebbdc5"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"＜博士学位論文要旨＞ルイ14世(1638～1715)時代の女性表象 : オペラの登場人物“メデ”に見る女性像の変遷","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"＜博士学位論文要旨＞ルイ14世(1638～1715)時代の女性表象 : オペラの登場人物“メデ”に見る女性像の変遷"}]},"item_type_id":"6","owner":"3","path":["517"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-06-12"},"publish_date":"2013-06-12","publish_status":"0","recid":"5084","relation_version_is_last":true,"title":["＜博士学位論文要旨＞ルイ14世(1638～1715)時代の女性表象 : オペラの登場人物“メデ”に見る女性像の変遷"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-06-20T21:13:34.068714+00:00"}