{"created":"2024-07-02T23:38:50.803675+00:00","id":2001038,"links":{},"metadata":{"_buckets":{"deposit":"aebdf8a8-6cd5-4b8a-be27-963d2c104fe7"},"_deposit":{"created_by":17,"id":"2001038","owner":"17","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"2001038"},"status":"published"},"_oai":{"id":"oai:ynu.repo.nii.ac.jp:02001038","sets":["402:403"]},"author_link":[],"item_2_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicNumberOfPages":"16","bibliographicPageEnd":"20","bibliographicPageStart":"5","bibliographicVolumeNumber":"15","bibliographic_titles":[{"bibliographic_title":"Journal of Screenwriting","bibliographic_titleLang":"en"}]}]},"item_2_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Japanese cinema in the early twenty-first century has seen the emergence of Japanese-language films written by non-Japanese screenwriters. The arrival of these screenwriters and screenplays complicates existing discourses on ‘nation’ and the transnational in Japanese cinema. In particular, it adds to the tensions around East–West binaries that often permeate considerations of non-Japanese contact with cinematic representations of Japan and requires industry practitioners and researchers to re-consider notions of ‘Japan’ and cultural contact in cinema from Japan. Drawing on the concept of ‘accented cinema’, this article positions Japanese screenplays by non-Japanese screenwriters as accented Japanese screenplays. Two such screen texts are critiqued to suggest the dialogic inevitability of polyvocal interpretations of accented Japanese screenplays with regard to issues of privilege and marginalization, as well as the national and the transnational.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_2_publisher_35":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"Intellect"}]},"item_2_relation_13":{"attribute_name":"DOI","attribute_value_mlt":[{"subitem_relation_type":"isVersionOf","subitem_relation_type_id":{"subitem_relation_type_id_text":"https://doi.org/10.1386/josc_00128_1","subitem_relation_type_select":"DOI"}}]},"item_2_rights_14":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"© Alexander McAulay, 2023. The definitive, peer reviewed and edited version of this article is published in Journal of Screenwriting, Volume 15, Issue 1, p. 5 - 20, https://doi.org/10.1386/josc_00128_1","subitem_rights_language":"en","subitem_rights_resource":"https://www.intellectbooks.com/licence-and-usage-policy"}]},"item_2_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"17597145","subitem_source_identifier_type":"EISSN"}]},"item_2_version_type_18":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"embargoed access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_f1cf"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNames":[{"affiliationName":"Graduate School of International Social Sciences, Yokohama National University","affiliationNameLang":"en"}]}],"creatorNames":[{"creatorName":"Alec, McAulay","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"0000-0002-2857-8344","nameIdentifierScheme":"ORCID","nameIdentifierURI":"https://orcid.org/0000-0002-2857-8344"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2024-07-28"}],"fileDate":[{"fileDateType":"Issued","fileDateValue":"2023-07-27"}],"filename":"McAulayAccentedScreenplayJOS2023May29.pdf","filesize":[{"value":"308 KB"}],"format":"application/pdf","url":{"label":"McAulayAccentedScreenplayJOS2023May29.pdf","objectType":"fulltext","url":"https://ynu.repo.nii.ac.jp/record/2001038/files/McAulayAccentedScreenplayJOS2023May29.pdf"},"version_id":"5276b978-d39f-4a56-8b9a-9172ec97ee92"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Bakhtin, case study, double-voiced, Leos Carax, national cinema, orientalism, script development","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema","subitem_title_language":"en"}]},"item_type_id":"2","owner":"17","path":["403"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2024-07-03"},"publish_date":"2024-07-03","publish_status":"0","recid":"2001038","relation_version_is_last":true,"title":["The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2024-07-02T23:55:35.894317+00:00"}